The festival is an iconic classic in the heyday of India

Indian dance. The first association of the most popular people, with good intentions, is: tradition. Traditions of the classics, as well as formalized dances, made by dancing in a colorful series of mannequins with rings, beigeleid door, tanpuri and rhythmic zang. Meestal solo en voornamelijk gebaseerd op eeuwenoude tempeldansen en verhalen uit de Hindoestaanse religie.

Alemala war. Tradition of the most important people in India – kathak, kathakali, bharatanatyam, odissi, kuchipudi, manipuri – wordt nog steeds van generatie op generatie op generatie op generatie op generatie met zorg doorgegeven, zij he dat dat het individuele en ex-za intensieve steeru intensiveve guest wordt.

Daartegenover is a state of innocence that has been a tradition for decades, as well as ballet in a ballet in the western part of the world, with a strong, classic base. In India, in the world, there are great choreographers who have been able to learn more about them, and in the future they have been able to enjoy themselves, of women, of women, and of course.

In 2011 in India in 2011 was published the festival Dans Dans, which opens to all the spectrum that exists in different countries that have radical traditions. Offline, want an online edition that covers the coronary crisis, in an international publication, meaning it won’t.

There is no way in the West to make the most famous women in India. If you have “iconen,” it’s online programs, documentaries that come across snippets. De bekendste is the young man Chandraleha Prabhudas Patel (1928-2006). Kortweg Chandralekha, zoals ook de voornaam van Martha Graham z Pina Bausch volstond, al benadrukte de Indiase dat haar kunst géén relatie had mit westerse vormen. Indians dans was en bleef haar uitgangspunt, maar voor haar was dans geen verering van de goden, zoals de traditie voorschreef, maar een viering van het menselijk, met name het vrouwelijk, lichaam. The Belarusian theme is what is happening with feelings, sexuality and spirituality, as well as in India. So many of these periods are still working. In the West, it is possible to develop progressively, or politically, very much.

Dispute

Ook Mallika Sarabhai (1953), even repeatedly starred in the film “Meet the Icons”, she met controversial work in India. Sarabhai ziet dans als een tool for social veranda. Haar vaak multidisciplinaire voortellingen hebben omstreden thema’s als geweld tegen trouwen, genderdiversity in the climate climate.

The promiscuous work of women as Chandralekha and Mallika takes place in the world of young people, including India. In the Netherlands from time to time Shailesh Bahoran and Kalpana Raguraman (in the festival program) met with Indian Indian dancers as well as in hip hop, in verbond. This edition in India Dans Festival wordt geopend door (kathakdanser) Aakash Odedra, die toest klassiek work a ok hareografien van Khan and Sidi Larbi Cherkaui danst. Unforgettable property, but with some other unmanageable, shielding features articulation of dancers with a job in India, is in India as a vandage of the world, but it is also possible to have a public center in front of it.