The actors are in a world full of curls. Hun regisseur – this is a man who writes, zelfs de publiciteitsmedewerker. The woman has an unsustainable costume, waiting for her to be able to talk in a small room.
The preview order is also one of the first: I stand in a corner setting but I want to go very well. In the corner of Magne van den Berg, he spelled over the beauty products. Conversations speak from the text to the text. Ze hoppen van reflects the actress to be politically just personal issues. This is a fragmented, fragmentary dialogue with a lot of experience.
In the region of Lies van de Wiel, there are many tweets for greens. De gesprekken schieten van bespiegelingen over het alledaagse (‘dat restaurant waar jij ons gisteren mee naar toenam dat vond ik niet goed’) naar iets groters (‘dit volk wil z’n klachten uitgesproken horen’). The characters of the actuaries can be seen and manifested in different ways as the author of the author, who will be able to do so.
Players Lotte Dunselman, Marjolain Leigh and Alejandro Theus are out of shape. Ze spelen met the minimum middelen. The clerical decor is a time of try-outs on the tonal stand, which is well maintained and covered by the director Mara van Vlijmen. Nu zitten ze op krukjes tegenover het publicek en ligt de focus volledig op hun spel. This is the nature of Stevig aangezet, maar altijd boeiend. As one of the actors survives this day, it is a great opportunity.
The debut of this new product house, or artistic leadership of Dunselman, places the players on a piece of paper in the background in the work of women on this topic – this is a good answer to the current discussion about emancipation. In the future, you can comment on the title: this preview is better than any capsule on the stage.
